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PhD studentship exploring Risk Factor Trajectories and Development of Diabetic Retinopathy
This research project is designed to explore the impact of the Chatty Café Services. To explore how people perceive these services, the difference they make in people’s lives and to understand if there are ways in which these services can be improved.
The objective is to investigate the challenges and ‘good digital practice’ activities undertaken by museums, primarily with schools, during the pandemic.
‘The Colours on the Wings of the Sphinx: Imagery and Metaphor in Plutarch’
Coventry University has spearheaded and crafted the customer experience design of a world-first urban air transport hub.
The Centre for Global Learning are delighted to invite you to this event entitled 'Understanding disparities in degree awarding: Introducing a novel Difference Index (DI) to measure relationships between module characteristics, module marks, and student ethnicity', taking place virtually on 11 May 2022.
The Creative Cultures Symposium is a chance for Postgraduate researchers from the Centre for Dance Research, Arts, Memory and Communities and Postdigital Cultures showcase their research, no matter the stage, learn about the work in the centres, make connections and build networks.
The BBC, in partnership with the Arts and Humanities Research Council (AHRC), are celebrating their centenary year with a series of new public engagement research projects, recently announced. This programme of activities seeks to connect the public with the BBC’s past, present and future. Coventry University are pleased to have been awarded funding to explore the BBC’s work in televising dance, looking at the impact of Strictly Come Dancing on public audiences and its recent focus on inclusion through dance.
Join us on 13th June, from 3:00 pm, when we launch Coventry Premoderns with the Spring Lecture by Professor Adam Smyth.
This seminar will discuss research on the role of ETF Authorized Participants during the COVID crisis on bond market liquidity.
The Centre for Agroecology, Water and Resilience (CAWR) will be holding a Summer Open Day at Ryton Organic Gardens on Wednesday 15 June.
Researchers and practitioners across the higher education and creative sectors came together as part of a Coventry University event to discuss opportunities for developing new research methodologies to support the cultural sector.
Coventry University's first Transdisciplinary Research event, featuring external keynote speakers
Creative United, a support organisation for the cultural sector, has published a report ‘Mind the Understanding Gap: The Value of Creative Freelancers’ based on timely research led by Coventry University.
Enabling Students with Neurodiversity (ENTENDER) project event. Meetings on Neurodiversity: Dyspraxia
This project proposes a novel paradigm, called compressive population health (CPH for short), to reduce the data collection cost during the profiling of prevalence to the maximum extent.
A Coventry University-led migration project is aiming to tell the the complicated story of the relationship between migration and global inequalities through an animated video, recreated in six languages.
The ageing population has become a significant topic in the contemporary research agenda. The post-industrial economy of improved health care, leisure and bio-medical technologies has affected both the biological and social spheres of ageing, producing new challenges for individuals, policy makers and associated industries, including fashion. The need to better cater to older individuals’ needs and expectations is the focus of Ania Sadkowska’s resesearch.
‘Signals’ is a choreographed live action performance made in response to a series of constructed sound loops that are triggered for the duration of the piece. It is based on an original set of sketches titled ‘Broom-Self/Mop-Spirit’ (1980) found in the Spect. Anon book by the late D. John Briscoe. The performance attempts to decipher fragments from the notes, drawings and typewritten texts, taking cues from invocations and litanies from the Egyptian Book of the Dead and suggesting relationships to breathing, air and marriage.
Under the moniker of SPECT.ANON. George Saxon and Ryan Sehmar worked with Vivid Projects as part of a year-long residency to re-imagine worlds under curfew during a shared self-isolation. A series of events, referred to as interludes and intervals, were developed within the environment of an empty space. The audience was beckoned into a wooden structure, where potential action and intervention were recorded at given intervals, as the artists deciphered the interior world (inner space) of this existence together with the fragile tensions and antagonisms presented by the exterior world (outer space).